By age 30, trumpeter and singer Benny Benack III has proven to be that rarest of talents: not only a fiery trumpet player with a stirring command of the postbop trumpet vernacular in the vein of Kenny Dorham and Freddie Hubbard, but also a singer with a sly, mature, naturally expressive delivery in the post-Sinatra mold, performing standards and his own astute songs with a thrilling sense of showmanship. His superb intonation and bracing virtuosity enable him to handle astounding feats of originally composed vocalese (complex solos with written lyrics). On top of it all, he’s a highly capable pianist as well. Benny performs internationally as an Emcee/Host for Postmodern Jukebox, the vintage music collective famed for canny old-school covers of modern pop. In early 2020 he released A Lot of Livin’ to Do, the follow-up to his well-received 2017 debut One of a Kind. This sophomore effort, richly varied in mood and brimming with bop inflection, features bassist extraordinaire and Jazz ambassador Christian McBride (whose Grammy-award winning Big Band frequently calls upon Benny in the trumpet section) and drummer/producer Ulysses Owens, Jr., as well as the radiant Takeshi Ohbayashi on piano and Rhodes. Alongside his global touring as a straight-ahead/contemporary bandleader, Benny has appeared as a trumpet soloist in more commercial circles alongside Josh Groban, Ben Folds, fashion icon Isaac Mizrahi, Ann Hampton Callaway and more. He’s been featured at Birdland, Jazz @ Lincoln Center, Mezzrow, Bemelmans Bar at the Carlyle and other leading New York venues, and has also been a special guest with the Pittsburgh Symphony Pops Orchestra, the Columbus Jazz Orchestra and the Minsk Philharmonic Orchestra. He made his television debut in NBC’s short-lived, SNL-inspired variety show “Maya & Marty” playing in the in-studio band led by acclaimed bassist & Broadway arranger Charlie Rosen. Third in a generational line of Pittsburgh jazz notables, Benny follows in the footsteps of his trumpeter/bandleader grandfather, Benny Benack, Sr. (1921-86), and his father Benny Benack, Jr., a saxophonist/clarinetist who gave the young Benny his first professional experience. Benny, Sr. hailed from a Pittsburgh lineage that also produced Roy Eldridge, Earl Hines, Art Blakey, Billy Strayhorn and so many more. He recorded the Pittsburgh Pirates’ 1960 theme song “Beat ’Em Bucs” and toured with Tommy Dorsey and Raymond Scott, among others. Benny III returns to Pittsburgh often to perform, saluting his family forebears and the jazz heritage as a whole, nonetheless staking his bold and highly individual artistic claim.
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Köln hat einen neuen Jazz-Club. Ein Biotop für Fußwipper und Fingerschnipper – und das mitten im schönen Agnesviertel. Das King Georg besticht seit jeher durch intime Atmosphäre und Bühnenperformances auf Augenhöhe mit den Zuschauern. Von 2008 – 2019 angesagter Indie-Treff, bieten die modernisierten Räumlichkeiten inzwischen feinste Straight-Ahead-Unterhaltung. Natürlich live – nichts ist wichtiger ...